Conclusion Bibliography 1. Definition of Gender according to Judith Butler's Gender Theory Judith Butler was born in in Cleveland, Ohio and raised by intellectual parents with a jewish background. Butler argues that this performance and her theory of gender performativity presupposes that norms are acting on us before we have a chance to act at all, and that when we do act, we recapitulate the norms that act upon us, perhaps in new or unexpected ways, but still in relation to norms that precede us and exceed us.
In her work Bodies That Matter, Butler discusses the connection of performativity and constraint Performativity is neither free play nor theatrical self-representation; nor can it be simply equated with performance. Gender Trouble. New York: Routledge. Sign in to write a comment.
Read the ebook. Thematisierung und Inszenierung von W Geschlechterrollen und Geschlechterbe The implications of RFID on society. Influence of Immigration on Society. Variety of love in Shakespeare's The Contrasting Aspects of Love Prese Shakespeare's "Twelfth Night The Sleep-Symbol in "A Midsummer Deception and villainy in Shakespeare Die Funktion der Maggie Pollitt in Te Artificial Intelligence.
Benefits, Ri Computer Viruses. History, Reasons an The Internet and its Impact on Society. Her disguise brings trouble. Once, while she is leaving Olivia, a rejected suitor of Olivia challenges her to a duel. However, a stranger, Antonio, mistaking her for Sebastian, saves her. The reality is always kindless, Olivia is not interested in the Duke, "Your lord does know my mind, I cannot love him" ActI ScV , and even worse that Olivia is in love with "youth's perfections" - Cesario.
The disguise is necessary to develop the storyline involving Sebastian and the confusion with his return as well. My master loves her dearly; And I, poor monster, fond as much on him; And she, mistaken, seems to dote on me. Act two Scene 2 line 30 She confesses her fondness towards her master, Orsino. As long as she continues to disguise as a man, she has no chance for her love and has to conceal her feelings. Want to read the rest? Sign up to view the whole essay and download the PDF for anytime access on your computer, tablet or smartphone.
Don't have an account yet? Create one now! Already have an account? Log in now! JavaScript seem to be disabled in your browser. You must have JavaScript enabled in your browser to utilize the functionality of this website. Join over 1. Page 1. Save View my saved documents Submit similar document. Share this Facebook. Extracts from this document Introduction What is the function of disguise in Twelfth Night? Middle He then goes on to wear a physical one that gets him into trouble because of an illusion that was created for him by some of the other characters.
Malvolio himself knows that he is sane, and he accuses everyone around him of being mad. Meanwhile, when Antonio encounters Viola disguised as Cesario , he mistakes her for Sebastian, and his angry insistence that she recognize him leads people to assume that he is mad. All of these incidents feed into the general atmosphere of the play, in which normal life is thrown topsy-turvy, and everyone must confront a reality that is somehow fractured. Many characters in Twelfth Night assume disguises, beginning with Viola, who puts on male attire and makes everyone else believe that she is a man.
By dressing his protagonist in male garments, Shakespeare creates endless sexual confusion with the Olivia-Viola--Orsino love triangle. Other characters in disguise include Malvolio, who puts on crossed garters and yellow stockings in the hope of winning Olivia, and Feste, who dresses up as a priest—Sir Topas—when he speaks to Malvolio after the steward has been locked in a dark room.
Feste puts on the disguise even though Malvolio will not be able to see him, since the room is so dark, suggesting that the importance of clothing is not just in the eye of the beholder.
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